Re:music | Adventures in chill with Nicolas Malinowsky

Ever heard of Rémy Bricka, l’homme-orchestre? Nicolas Malinowsky would be his skate counterpart, collecting slashes the way your grandpa accumulated war medals. For those who don’t know, "Mémé" happens to be a really good skater straight outta the ‘90s school of Shell-toeing (see pic), a DJ/producer –he did among others the music for JJ’s part in Cliché's Europa-, a video animator, and also quite a stunning, meticulous graphic designer whose hand-drawn fonts always leave crowds of humid fans in awe, as his adventures with Chill mag, and now with his Ill Studio buddies, attest.
To sum it all up, a musician who skates, a skater who makes music, the link to A Visual Sound was almost too obvious. Here are French Skateboarding’s own Rémy Bricka (minus the fireworks)’s picks when it comes to his 5 favorite tunes, ever, on video parts.

1. Steely Dan: Peg
As used in: Let The Horns Blow
(Scott Johnston’s part)
“I watched this video a lot, and particularly Mr Johnston’s part. This came out when skating was becoming stylish again, i.e. when the whole thing was about doing lines (preferably in SF event though in my case it was more in Issy-Les-Moulineaux, but it worked too) based on well-selected, basic tricks to be landed in the cleanest possible way. A whole different approach than trying a new late-underflip combo a la Damon Byrd.
Anyway, this song fits perfectly Scott Johnston’s part, it’s catchy and sums up for me a certain spirit in skateboarding : going downhill in half cabs, wearing a (not-so-baggy) Droors jeans and a (mad Circle in this case) white t-shirt.”

2. Royal Flush: Worldwide inst.
As used in: Mouse
(Gino & Keenan’s part)
“OK, so this one has been my party hit for the past ten years. You know the four skaters present will always go off when you play this inter-planetary hit... For the true nerds [French nerds, he meant -Seb’s note], the must-have on this instrumental is the freestyle by Lunatic, X-men an Oxmo Pucino, recorded live on 88.2 FM in 1996, during the best ever moment in French rap history.
Back to Gino, since he’s pretty much the best skater in the world, any track that would be ran on his parts would become dope anyway, BUT this Royal Flush did have a little something. The little squeaky sample works perfect, not to mention the acapella, which I remixed all over the place. Recently, I reworked it with the instrumental from Rustie's Just For Kicks. By the way, I really love Rustie, the latest add-on to the “new comer from Glasgow” category… It made me think that I can’t wait for the new Chocolate video.”

3. Jacqueline Taieb: Le coeur au bout des doigts
As used in: Stereo promo
“This one, Jason Lee and Dune killed me [the original expression, in French, was “they sawed my anus in two”, which alas doesn’t work that good in English –Seb’s] when they pulled it out of their trenchcoat. Jacqueline Taieb was one of these female “yéyé” singers as we say, she put out an amazing LP in 1967 called The French Mademoiselle. Ca défouraille sec! I think you can find the video for her song La Fac De Lettres on Dailymotion. If you ever find it on vinyl, buy it cause it’s worth gold these days, and not only in Japan.
Le coeur au bout des doigts represents the ultimate class as far as Frenchitude goes. I have to say Stereo already hit a spot with Gainsbourg [and this one], but I give them the Digger’s Award to have dug this one out. Watch out though and stay away from Jacqueline’s ‘80s stuff, it really sucks”.

4. De La Soul: Odle of O’s
As used in: Goldfish
(Mike Carroll’s part)
“One of my favorite Mike Carroll’s parts, because of its tune too. De La Soul’s smoothitude matches really well Mike’s. I thought about it cause I just found the Saturday EP, which was missing in my “emergency party dancefloor hits” collection. It reminded me how I used to listen so much to 3 feet High and Rising and De La Soul Is Dead in these days, and how it was such good hip hop. Hip hop was better before anyway, and if I dared I’d say it’s skateboarding’s case too, but I would sound too much like an old fart. Plus skating still looks cool today, especially when it’s Lucas doing it, or Gino. Still the best, even without skating!”

5. Casual: Lose In The End
As used in: Virtual Reality
(Mike Carroll’s part)
“Allez, another Mike Carroll part that rules, as much as Casual’s album. What was it called? Early hyphy? This one, I bled the cassette dry in my walkman, going to school when it was still dark after having smoked weed with my friend Jimmy til 5 in the morning. It was also a very good office pick when we were doing Chill. Actually, it’s one of these hip hop albums that can be listened to on and on, like a good fusion jazz album. It might be looped and looped, the whole Bay Area/Carroll/Sheffey feeling you get from it just never gets old.”

Also, here are a few random bonuses that Nico wanted to add too:
. Company Flow : 8 Steps To Perfection (Josh Kalis in The Sixth Sense)
. Cream : White Room (Jeremy Wray, Second Hand Smoke)
. Chocolate Milk : Actions Speak Louder Than Words (Richard Mulder, The Chocolate tour)
. Steppenwolf: Born To Be Wild (Chico Brenes, Love Child)